Urban Land Institute's Gerald Hines Real Estate Competition | Info Session

jeffblog2017 Competition Entry. Lecture: “Urban Land Institute's Gerald Hines Real Estate Competition"Jeff KruthFriday, November 3rd12:00 PM — 1:00 PM & 5:30 PMCUDC, 1309 Euclid Avenue, Suite 200Free and open to the publicThis Friday, November 3rd an introduction the Urban Land Institute’s annual Urban Design Competition will take place. The competition asks graduate students from design, planning, and business backgrounds to collaboratively work towards a vibrant and financially viable urban design scheme in cities across North America. In past years, KSU CUDC students have worked with CSU’s Levin students, and CWRU’s Weatherhead students to compete for a $50,000 prize.A lunch lecture at 12:00pm will give an overview of the competition with coordinator, Jeff Kruth and  former student competitors. At 5:30pm, an information session with free beer and pizza will ask interested students to think about forming teams. The competition takes place January 15-29.render 32015 Competition Entry (click to view larger). 

The Student Perspective : CUBA

This year's Spring Studio, The International Design Exchange (INDEX) Studio is a graduate design studio established to build an understanding of global urban issues.The studio explores strategies for urban regeneration revealed through a comparative analysis of Cleveland, Ohio and Havana, Cuba. The studio functions as a timely conduit for the exchange of ideas between the two cities. As part of the studio, four graduate students traveled to Cuba, during spring break, to strengthen the research and relationships established with architects and architecture students and the University of Havana. Two of the students, Reuben Shaw II and Randy Hoover, shared their experience and work with us. Here is their perspective:Reuben Shaw II, Master of Landscape Architecturereuben_cubaCuba was never on my list of countries to visit. Stories about the taboos of the society and the government subconsciously blocked this island nation from my view. I’ve visited a few of the Caribbean Islands but still, Cuba was invisible. During my stay in Havana, I realized that Cuba was one of the most unique and beautiful places I have ever been, not only aesthetically, but culturally and socially. The proverb, “Better to see something once than hear about it a thousand times” became a reality.reuben_cuba_2Fanguito neighborhood in Havana, CubaWhile working on the Havana studio project in Cleveland, it was a challenge to really grasp our site with aerials; as landscape architecture students, most of our taught site-analysis techniques were void. Flying to Cuba and walking the streets of the Fanguito neighborhood really gave us a perspective that added to our repertoire. We discovered a sense of place that was generated by the people and an empirical expression of culture that you could only get by asking questions and adopting the lifestyle of the residents.This opportunity to travel to Cuba was truly inspiring and has fueled my desire to travel and experience other cultures. I believe when you travel you learn as much about yourself as you do about the place. Knowledge of self not only enriches your being but that of the people around you.Flamingo Final 2Proposed wetland preserve and aquatic bird habitat along the Almendares River in Havana, CubaRandy Hoover, Master of Architecturerandy_hoover_headshotFive days is a short time in which one can be expected to engage with the unique cultural and economic values in a city like Havana, but I believe this trip was successful in that regard. Stepping out onto Cuban soil was not, as some of my friends back home predicted, like stepping back in time to a land where technology and science ceased to progress. Once you look past the aesthetic value of colorful old cars on the road you begin to see Cuba’s development over the last decades as an alternate timeline, similar to our own, where resources are more scarce but vitality and variety of life are never sacrificed.(Now don’t get me wrong, riding from one side of Havana to the other in a candy-coated Pontiac is something that should be experienced by every visitor to the island.)Our studio design/research project for the semester focused on an intervention near the Almendares River in El Vedado district of Havana. This land is known as the less affluent part of town and in every way but its social structure can be considered a slum. In order to operate from thousands of miles away with little on-site experience, our group focused on projective interventions that could be built by accretion and overlay of infrastructural services. By developing a simple self-built housing prototype that connected its infrastructure to a central square, we could game out the look of our neighborhood intervention in abstraction without bulldozing over the existing social and economic complexities of the neighborhood.ISO PLAN smallCuadriculita 008: The central concrete pad provides infrastructural connections for surrounding residents.The realistic conditions of a site are, of course, more complex than what can be assumed from a satellite image or journal article. When we walked through the neighborhood of El Fanguito we were greeted by complete strangers with smiles and welcome conversation with our inquiring minds. Narrow alleyways and informal sidewalks contributed to a set of streetscapes that functioned almost identically to the winding paths we suggested in the Cuadriculita proposal, except of course that it was constructed with more care, personality, and efficiency. Once we walked out of the neighborhood and up the hill to a grand vista that overlooked all of the informal housing, my perspective of the project completely shifted.IMG_1435A small cluster of housing built against the peculiar topography separating El Fanguito from El Vedado.I expected this moment, of course, but maybe not in such an instantaneous fashion. The infrastructural connections were not perfect in every way but formed its own artistry out of the imperfections. Overlap of aesthetics and use-value with the homes were most apparent with bright blue water storage barrels and pigeon cages on some of the rooftops feeding PVC piping down into the invisible pathways and living spaces below. Our project’s assertion that an interior courtyard or open space was required in order to have a vibrant and connected lifestyle for each resident was dissolved after seeing this.This INDEX studio travel opportunity is something that I will remember for the rest of my life. I was able to meet Cuban architectural contemporaries, sample the passionate lifestyle of residents, and bond with my trip-mates in sharing this experience of infinite value. I’d like to thank David Jurca, the CUDC, and Kent State University for this amazing opportunity. The INDEX: CLExHAV Studio is part of the 2017 Creative Fusion program supported by The Cleveland Foundation. During the 2017 Spring Semester, the Cleveland Urban Design Collaborative (CUDC) will continue a partnership launched by Kent State University last year with Havana-based architects Sofía Márquez Aguiar and Ernesto Jiménez of Fábrica De Arte Cubano (Cuban Art Factory), a vibrant community arts space housed in a repurposed cooking oil plant in Havana. The architects will work with the KSU Urban Design and Landscape Architecture graduate studio and a Cleveland Institute of Art Interior Architecture studio on design proposals for two neighborhood projects: one in Havana’s Vedado neighborhood, where Fábrica De Arte Cubano is located, and another in Cleveland’s Glenville neighborhood. In early April, Márquez Aguiar and Jiménez arrived in Cleveland to review the students’ design proposals for Vedado and will remain in Cleveland for one month as they work with students to generate and fabricate the project to be built in Glenville. A public Pop Up Event is scheduled at the Glenville site (1470 E. 105th, Cleveland) on Friday, May 5th from 6-9pm. All are welcome. Learn more and RSVP on the Facebook event page here: https://www.facebook.com/events/532579883796334/ 

Mapping the Design Journey

by Jacinda WalkerFounder, designExplorr.com 

Design Journeys: Strategies for Increasing Diversity in Design Disciplines from Jacinda Walker on Vimeo.

The journey to a career can be met with great success or great struggle. When a traveler is prepared for the journey, they typically cover more distance and the experiences they encounter become quick stops along the way— moments of pause that, with rest and refueling, allow them to begin again. However, for a traveler who is less prepared to face the bumps, twists, and turns of the road, minor challenges become major roadblocks. Those minor challenges become permanent barricades that ultimately inhibit travel and one’s likelihood to continue on the path of success. Unfortunately, the latter path described here is all too common among young African American and Latino youth who seek a design-related career.This line of inquiry led me to visualize what the journey to becoming a designer looks like and analyze what tools are needed to obtain a design-related career. My research work entitled, Design Journeys: Strategies for Increasing Diversity in Design Disciplines (2016) explores diversity in design disciplines and presents fifteen strategic ideas to expose African American and Latino youth to design-related careers. This solutions-based thesis introduces a map charting a design career from grade school to a seasoned professional. The “Design Journey Map” contains four color-coded passages: foundations, proficiency, workforce, and influence. The passages overlap with career competency components to cultivate soft skills together with the hard skills youth learn along the journey to a design career.designJourney-ReDraw4Figure 1: The Design Journey Map in fullThe Design Journey Map is a simple navigational tool that can be used as a framework to better inform students, parents, professionals and organizations which strategic ideas are needed and where to place them along the career path to increase diversity in design disciplines.This framework is important because it shows the journey to become a designer and provides four principles of a strategic solution for closing the diversity gap in the design industry. The principles address the complex problem of a lack of diversity in design by identifying characteristics of a strategic solution needed for helping to close the diversity gap in design. They are labeled as comprehensive, collaborative, local, and scholastic. These Design Principles help to ensure long-term success for programs and initiatives whose intent is to expose African American and Latino youth to design-related careers.design Principles characteristics to solution-01Figure 2: The four Design Principles for a strategic solutionThe process of closing the gap in design is especially complex due to underlying problems at both ends of the career path. Problems on one end of the career path relate to access and exposure, which impacts course offerings and instruction for African American and Latino youth in their local community schools. The problems on the other end relate to the opportunities provided to professionals of color, which are limited due to systemic prejudices, especially among those who monitor the distribution and application of funding for education. Linear_Chart_ddFigure 3: The Multiple Problems in DesignIn Designing for Diversity: Implications for Architectural Education in the Twenty-First Century (2002), Dr. Kathryn H. Anthony, Distinguished Professor at the University of Illinois at Urbana-Champaign, suggests that in order to guarantee long-lasting and continuous improvement, schools and organizations need to work strategically by developing more diversity-building initiatives. Developing diversity-building initiatives will improve industry experiences for novice African American and Latino designers, ensuring that they meet greater career success and create more opportunities along the pipeline. One such diversity-building initiative in northeast Ohio is Design Diversity.designDiversity LogoFigure 4: Design Diversity logoDesign Diversity is an initiative launched in late 2013 by the Cleveland Urban Design Collaborative (CUDC) and led in partnership with a multidisciplinary advisory committee. Through self-initiated projects and in collaboration with existing organizations, their goal is to foster learning, influence growth, and promote people of color in the design professions in Northeast Ohio. As a researcher, I am pleased to partner with the advisory committee by working in tandem to help bring their latest project to fruition.The Design Diversity Index is a tool for measuring progress toward achieving diversity goals. The index will collect, maintain and aggregate data on the number of African Americans and Latinos from design schools, programs, and professional organizations and integrate a range of disciplines that include architecture, landscape architecture, graphic design, industrial design, interior design, and urban design. The Design Index benefits students, parents, and organizations by providing access to aggregated state-based data from regional educational institutions and creates opportunities for reminding other stakeholders about the necessity to increase diversity in design disciplines.Addressing the lack of diversity in design is not a simple problem. The issue is that many are trying to solve a single problem when there are actually multiple problems on both ends of the journey. The challenge many African American and Latino youth face in the beginning of the journey is they simply do not know what to look for. In addition, parents of these creative youth also do not have adequate information to make informed decisions. Lastly, organizations can benefit by having such information centralized. This challenge continues to be recognized as a complex problem, but it still exists because there is a lack of access to the information available to solve it. Tools such as the Design Journey Map in conjunction with the Design Diversity Index are sorely needed to help stabilize the multiple problems along the journey. This initiative seeks to provide aggregated data to give students, parents, and organizations more information to make better decisions about design-related careers. To learn more about Design Diversity, future events and to receive the latest news on the Design Diversity Index log onto designdiversity.org.0236AIGAAbout Jacinda WalkerJacinda Walker is the founder of designExplorr, an organization that celebrates design learning by creating opportunities to introduce youth to design and partners with professionals, parents, and teachers who are passionate about bringing diversity to the industry in a powerful way. With over 20 years as a designer, entrepreneur, and instructor, her work ranges from designing corporate communications to developing educational programs and event management. She earned both her A.A.B. and B.F.A. in graphic design from the University of Akron and a M.F.A in Design Research and Development with a minor in Nonprofit Studies from The Ohio State University. Her research explores diversity in design disciplines and presents strategies to expose underrepresented youth to design-related careers. Her future goals include working with organizations to establish design education initiatives and developing design programs for underrepresented youth.

Samantha Ayotte | April 07

samantha_ayotteOn April 7, 2017, we welcome Samantha Ayotte to our Spring Lecture Series. Her talk, "My Birthright", will present findings from her cultural exploration through Israel for her Birthright trip. There will be a discussion about how cultural, political, and religious experiences can differ and how they can provide solutions for contemporary living.thumb_IMG_9576_1024Samantha Ayotte is a second-year dual degree (M.Arch, M.UD) candidate from Cleveland, Ohio. She holds an undergraduate degree in Architecture from Kent State University. She enjoys the opportunity to design and understand urban design challenges and solutions for cities like Cleveland through contemporary means of investigation. She believes communities and shared experiences can positively impact urban design, and her work thus far has aimed to implement those elements.thumb_IMG_0190_1024Please join us from 12 PM - 1PMFriday, April 7th. This event is free and open to the public.Cleveland Urban Design Collaborative1309 Euclid Ave., Suite 200Cleveland, OH 44115